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Veranda has featured the Dallas home of artist Donald Robertson, his wife Kimberly Gieske and their family, showing how designer Cathy Kincaid combined traditional interiors with colorful art and playful personal touches. The home tour describes a collaboration shaped by the couple’s existing furnishings, their children’s artwork and a mix of old and contemporary pieces.
Veranda has featured the Dallas home of fashion illustrator and pop artist Donald Robertson, his wife Kimberly Gieske and their family, documenting how designer Cathy Kincaid combined a traditional Colonial interior with colorful artwork and playful details. The home tour offers a look at a design collaboration that brought together the couple’s different tastes and work by the family’s children.
The family lives in a clapboard Colonial in Dallas, where Robertson and Gieske moved from California during the COVID-era migration to Texas, according to the Veranda report. The couple wanted a traditional house. Robertson, who is Canadian, said he welcomed the home’s symmetry as a contrast to the energy of his studio, while Gieske liked its classic American appearance.
Kincaid described the work as a collaboration, saying the couple came with clear ideas and that her role was to interpret them. The project included rearranging the family’s existing furniture and artwork rather than treating the home as a blank slate. Kincaid worked with longtime stylist Charlie Birdsong, whom she called her “secret weapon”; the report says Birdsong died in late 2022.
The rooms combine traditional furnishings and materials with art by Robertson, the couple’s children and other artists. Examples include a taupe patterned wallcovering in the dining room, vintage panels in the entry and raffia-covered walls in the television room. In one son’s bedroom, a work by artist Sebo Walker hangs against Sister Parish wallpaper, alongside a traditional faux-bamboo chest. The living room mixes vintage seascapes, modern art and lamps designed by Steve Chase.
A Family Home Made Personal
The tour shows how the home’s character comes from the balance between formal, traditional rooms and the family’s own artwork and humor. Rather than presenting the interior as a single style or a showroom, the report describes a house shaped by its residents’ different preferences and the objects they already owned.
That account also makes the design process part of the story. Robertson said he favors silliness, while Gieske prefers order. Kincaid’s work, as described in the feature, involved keeping the house’s composed appearance while finding ways to make room for more irreverent choices. The result offers readers a specific example of how a designer can bring contrasting tastes together without removing the people who live there from the finished rooms.
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From California to Dallas
The family moved to Texas during the COVID-era migration from California, the report says. Gieske had also favored Lake Forest, Illinois, but she and Robertson chose Dallas. Robertson compared Dallas to Lake Forest without the cold and wind, and the couple agreed that a traditional house suited them.
Before Kincaid became involved, the couple’s disagreements over the interior could be practical as well as stylistic. Robertson recalled hanging paintings that Gieske later gave away, only for him to spot them in other people’s homes. Kincaid and Birdsong instead reorganized the couple’s furnishings and art, including exuberant works by their children, to make the collection function across the rooms.
The source identifies the children’s work as a meaningful part of the house, but its descriptions vary in how they refer to the family and the children. It also names individual artworks and rooms without presenting a full inventory or a floor plan. The article is a design feature, not a real-estate listing or an announcement that the property is for sale.
““They had clear ideas, and I was there to help interpret that vision.””
— Cathy Kincaid, designer
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Details the Tour Does Not Give
The source does not state the home’s address, purchase price, renovation cost or whether any structural work was done. It also does not identify a publication date in the supplied material, so the timing of the feature cannot be pinned down more closely here.
The report describes selected rooms and objects, not a complete catalogue of the home or all the decisions behind the design. It does not say whether the family plans further changes, whether the home is available for sale or how the featured rooms may have changed since the photographs were taken.
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The Home Tour’s Public Record
The confirmed development is the Veranda feature itself: it documents the home and credits Kincaid, photographer Douglas Friedman and the artists and makers whose work appears in the rooms. The supplied report does not announce a future renovation, sale or follow-up project.
Readers seeking more detail can refer to the original Veranda home tour and its photographs. Any later information about the property or the family’s plans would require a separate, attributable source; none is included in the material provided.
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Key Questions
Whose Dallas home is featured?
The home belongs to artist Donald Robertson, his wife Kimberly Gieske and their family, according to Veranda.
Who designed the interior?
Cathy Kincaid led the design work. She described the project as a collaboration with the couple and worked with longtime stylist Charlie Birdsong on arranging existing furnishings and art.
What makes the house colorful and personal?
The tour shows art by Robertson, the children and other artists alongside traditional furniture, vintage pieces, patterned wallcoverings and playful details.
Is the Dallas house for sale?
The supplied Veranda report does not say that the home is for sale. It is presented as a home design tour, not a real-estate listing.
When was the home tour published?
The source material identifies the Veranda article but does not provide its publication date, so the precise timing is not available in the supplied information.
Source: rss
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